The iceberg had to be exactly the right shade of white.
When a film has got some of the best special effects ever done it goes without saying you’ll need a screen that does it justice.
Before hiring us to deliver the premier of the Titanic series the director wanted us to know just how perfect he wanted the image on screen to be. We went into a big West End cinema to get a preview of the first series and its amazing computer generated graphics.
Our set build integrated a Full HD 10,000 lumen Barco projector, short throw lens, dolby digital sound processsor 16.9 ratio rear project screen all of course white balanced. The film came on an HD cam tape and required a 5.1 Surroundsound system.
Invites were exclusively to the press and film industry, who enjoyed every minute.